All sweethearts like to sit on the bench at their cottage door, when night falls.

Yann and Gaud did that likewise. Every evening they sat out together before the Moans' cottage, on the old granite seat, and talked love.

Others have the spring-time, the soft shadow of the trees, balmy evenings, and flowering rosebushes; they had only the February twilight, which fell over the sea-beaten land, strewn with eel-grass and stones. There was no branch of verdure above their heads or around them; nothing but the immense sky, over which passed the slowly wandering mists. And their flowers were brown sea-weeds, drawn up from the beach by the fishers, as they dragged their nets along.

The winters are not very severe in this part of the country, being tempered by currents of the sea; but, notwithstanding that, the gloaming was often laden with invisible icy rain, which fell upon their shoulders as they sat together. But they remained there, feeling warm and happy. The bench, which was more than a hundred years old, did not seem in the least surprised at their love, having seen many other pairs in its time; it had listened to many soft words, which are always the same on the lips of the young, from generation to generation; and it had become used to seeing lovers sit upon it again, when they returned to it old and trembling; but in the broad day, this time, to warm themselves in the last sun they would see.

From time to time Granny Moan would put her head out at the door to have a look at them, and try to induce them to come in. "You'll catch cold, my good children," said she, "and then you'll fall ill—Lord knows, it really isn't sensible to remain out so late."

Cold! they cold? Were they conscious of anything else besides the bliss of being together.

The passers-by in the evening down their pathway, heard the soft murmur of two voices mingling with the voice of the sea, down below at the foot of the cliffs. It was a most harmonious music; Gaud's sweet, fresh voice alternated with Yann's, which had soft, caressing notes in the lower tones. Their profiles could be clearly distinguished on the granite wall against which they reclined; Gaud with her white headgear and slender black-robed figure, and beside her the broad, square shoulders of her beloved. Behind and above rose the ragged dome of the straw thatch, and the darkening, infinite, and colourless waste of the sea and sky floated over all.

Finally, they did go in to sit down by the hearth, whereupon old Yvonne immediately nodded off to sleep, and did not trouble the two lovers very much. So they went on communing in a low voice, having to make up for two years of silence; they had to hurry on their courtship because it was to last so short a time.

It was arranged that they were to live with Granny Moan, who would leave them the cottage in her will; for the present, they made no alterations in it, for want of time, and put off their plan for embellishing their poor lonely home until the fisherman's return from Iceland.